Black vinyl edition with double insert and poster of the 1st album from 1984 by the British WOLF, a band from the NWOBHM scene. “Edge of the World” delivers classic Heavy Metal with clear Hard Rock influences, featuring straightforward riffs, energetic melodies and a production typical of the era.
The album reflects the spirit of the NWOBHM movement in its later stage, with an accessible yet powerful approach, maintaining the energy and attitude characteristic of 80s British Metal.
Recommended for fans of SAXON, JUDAS PRIEST, IRON MAIDEN and DEF LEPPARD.
1st album from '87 of this legendary US band of powerful Heavy Metal featuring guitar virtuoso Tom Fredianelly. If you liked the two first RACER-X albums with a touch of YNGWIE J MALMSTEEN and even CACOPHONY, CHASTAIN, VICIOUS RUMORS...
7th album from 1976 by the British BLACK SABBATH, a daring and experimental work of Heavy Metal and Hard Rock where the band began incorporating more melodic, progressive and sophisticated influences into their trademark dark sound. “Technical Ecstasy” showcases BLACK SABBATH exploring new musical territory through keyboards, more elaborate arrangements and a cleaner production, while still retaining Tony Iommi’s heavy riffs and the band’s unmistakable gloomy atmosphere. A controversial yet highly interesting record that reflects a band striving to evolve and expand its creative boundaries during the 70s. Recommended for fans of DEEP PURPLE, RAINBOW, URIAH HEEP and BLUE ÖYSTER CULT.
Unofficial live vinyl album, limited to 100 copies in purple wax, containing a 10-track show at the Moscow Music Peace Festival '89, Luzhniki Stadium, Moscow (RUS) on 12.08.1989
Official re-issue in only one CD of the two first albums from '86 by this side band by David T. Chastain where they practice a similar style of powerful Heavy Metal with virtuoso guitar solos.
Unofficial live vinyl album, limited to 100 copies in yellow, containing a 9-song show as the opening act for RAINBOW at the Sporthalle, Cologne (GER) on 18.06.1981
Unofficial live album, limited to 106 copies on 2-LP turquoise sleeve, containing a 12-track show at the Argon Ballroom, Chicago (IL/USA) on 04.07.1987 and on side C there are 6 tracks of KISS at the Forum, Montreal (CAN) on 12.07.1977
Vinyl version of the 1st EP from '20 by this new school classic German Heavy Metal band for lovers of groups like ENFORCER, AMBUSH, SUMERLANDS, HIGH SPIRITS...
Re-issue with 9 bonus of the 1st album from '86 by this swedish band of pure Heavy Metal in the vein of classic german bands from the 80's. Excellent!! [Slipcase]
7th album from 1983 by the British MOTÖRHEAD, a brilliant and highly distinctive work of Heavy Metal, Hard Rock and Rock’n’Roll where the band incorporated a more melodic and technical approach thanks to the addition of THIN LIZZY guitarist Brian Robertson. “Another Perfect Day” retains MOTÖRHEAD’s classic aggression and streetwise attitude while adding more elaborate guitar work, richer melodies and a more sophisticated rock-oriented atmosphere that made the album one of the most unique and controversial releases in the band’s discography. Over the years, the record has been heavily reappraised as a true hidden gem of the band’s classic era. This edition also includes 3 bonus tracks. Recommended for fans of THIN LIZZY, TANK, RAVEN and ROSE TATTOO.
4th album from '02 by this Finnish band, with their unmistakable style mixing Heavy Metal with Gothic touches and female vocalist. Last one with Tarja Turunen on vocals.
4th album from 1988 by the American PANTERA, and arguably the most important release from the band's pre-“Cowboys from Hell” era. “Power Metal” marked the arrival of vocalist Phil Anselmo and showcased a decisive evolution in the band's sound, gradually moving away from the Glam Metal influences of their early years in favor of a more powerful, aggressive approach firmly rooted in traditional Heavy Metal.
The album combines sharp riffs, strong melodies, powerful vocal performances and a notable influence from both American and European Heavy Metal of the mid-1980s. Without completely abandoning their melodic roots, the band develops a heavier and more muscular sound that clearly foreshadows the direction they would take in the years to come. Tracks such as “Power Metal”, “Over and Out” and “Proud to Be Loud” reveal a band in full transition toward its definitive identity.
Considered by many fans to be a hidden gem within PANTERA’s discography, the album serves as the perfect bridge between their early releases and the revolution that would soon arrive with “Cowboys from Hell”.
Recommended for fans of JUDAS PRIEST, SAVATAGE, METAL CHURCH, VICIOUS RUMORS and HELSTAR.
