International debut album from 1976 by the Australian AC/DC, an explosive blast of Hard Rock and electrified Rock’n’Roll overflowing with immortal riffs, streetwise attitude and untamed energy. With Bon Scott’s unmistakable vocals and the killer guitar work of Angus and Malcolm Young, the band laid the foundations of their legendary raw, direct and utterly addictive sound. Recommended for fans of ROSE TATTOO, KROKUS, AIRBOURNE and MOTÖRHEAD.
2017 EP by the Spanish AEONIC, a Technical Brutal Deathcore release that combines surgical precision, crushing grooves and a strong modern aggression. “Void of Existence” builds a dense, mechanical sound where technical riffs and shifting structures are supported by a polished and powerful production.
The EP alternates passages of direct brutality with more atmospheric and dissonant moments, reinforcing a constant sense of tension and sonic collapse. A short but solid release within contemporary technical Deathcore.
Recommended for fans of JOB FOR A COWBOY, INGESTED, SUICIDE SILENCE and CARNIFEX.
Compilation released in 2026 by the French ANGEL KILLER, featuring their 1985 demo alongside several live tracks and rehearsal recordings, resurrecting a true hidden gem of the French underground Heavy Metal and Speed Metal scene from the 80s. Raw, wild and packed with street-level energy, this material reeks of worn-out cassette tapes, leather and gasoline, making it a must for collectors devoted to the darker and most authentic side of classic Metal. Recommended for fans of ADX, H-BOMB, SORTILÈGE and VULCAIN.
1st album from 1986 by the American ANVIL BITCH, a ferocious attack of Thrash Metal and Speed Metal packed with razor-sharp riffs, uncontrolled speed and pure 80s aggression. Considered a cult gem of the American underground scene, the album oozes rawness, venom and streetwise attitude in every track, perfectly capturing the wildest and most unhinged spirit of mid-80s Metal. Recommended for fans of EXCITER, WHIPLASH, SACRIFICE and NUCLEAR ASSAULT.
2nd album from 2014 by the Spanish AUTUMNAL, a majestic and melancholic work of Gothic Doom Metal and Death/Doom filled with dark atmospheres, huge melodies and deep emotional weight. “The End Of The Third Day” combines delicate and ethereal passages with crushing heavy riffs and tortured vocals, building a dark, elegant and deeply immersive sonic universe. A release as epic as it is introspective, placing AUTUMNAL among the most refined and emotional acts of contemporary European Doom Metal. Recommended for fans of DRACONIAN, SWALLOW THE SUN, MY DYING BRIDE and NOVEMBERS DOOM.
2nd album from 1986 by the German AXE VICTIMS, a brilliant display of melodic Heavy Metal and 80s Hard Rock packed with sharp riffs, huge melodies and irresistibly catchy choruses. Originally recorded between 1984 and 1985 but left unreleased for decades, "Hypnotized" shows a clear evolution from the band’s debut, featuring a more polished, dynamic and hook-driven sound while fully preserving the streetwise energy and classic spirit of German Metal from that era. Recommended for fans of ACCEPT, KROKUS, STEELER and DEF LEPPARD.
[Slipcase]
10th album from 2025 by the American BIOHAZARD, a crushing blast of Hardcore Metal, Crossover and Groove Metal that marks the long-awaited return of the classic lineup more than a decade after their previous studio release. “Divided We Fall” brings back all the urban aggression, crushing grooves and streetwise energy that made BIOHAZARD one of the most influential metallic Hardcore bands of the 90s, combining devastating riffs, combative gang choruses and a modern, muscular production. An intense, furious and straight-to-the-throat record that feels like a natural continuation of the band’s golden era without falling into empty nostalgia. Recommended for fans of MADBALL, AGNOSTIC FRONT, PRO-PAIN and SICK OF IT ALL.
Debut album from 2024 by the American BLACK HOLE DEITY, a devastating work of Technical Death Metal and Progressive Death Metal filled with labyrinthine riffs, dissonant atmospheres and absolutely monstrous musicianship. A dark, complex and oppressive release that balances brutality and sophistication with surgical precision, dragging the listener into a cosmic abyss of chaos and sonic destruction. Recommended for fans of GORGUTS, ARTIFICIAL BRAIN, ULCERATE and DEFEATED SANITY.
12th album from the British BLACK SABBATH, released in 1986, a peculiar and highly underrated work of Hard Rock and melodic Heavy Metal marked by a far more accessible and atmospheric sound than usual for the band. Originally conceived as a solo album by Tony Iommi and ultimately released under the name BLACK SABBATH featuring Tony Iommi, “Seventh Star” combines elegant riffs, melancholic melodies and a strong 80s flavour with the incredible voice of Glenn Hughes on vocals. A dark, emotional and unique record within the band’s discography that has gradually earned cult status among the more open-minded followers of the Tony Iommi era. Recommended for fans of DEEP PURPLE, RAINBOW, DIO and BLUE MURDER.
Debut album from 2012 by the American BLESSED CURSE, a fierce blast of old-school Thrash Metal packed with razor-sharp riffs, street-level aggression and an intense mix between the Bay Area sound and the wildest Teutonic school. “Blessed Curse” radiates pure passion for late 80s Thrash, combining speed, rawness and melody with a powerful production and a completely underground spirit. A violent, dark and straight-to-the-throat release that revives the classic flavour of the genre without ever sounding forced or artificial. Recommended for fans of TESTAMENT, DEATH ANGEL, KREATOR and EXODUS.
1st album from 2017 by the Italian BLÓDIGA SKÁLD, a Folk Metal work with strong elements of medieval music, European folk and touches of melodic Metal. “Ruhn” builds a festive and epic universe based on traditional melodies, folk instruments and a very theatrical and narrative approach.
The album moves between drunken celebration, medieval fantasy and light epicness, with a more melodic and accessible approach than an aggressive one, standing out for its festive identity and its “tavern band” character within the European Folk Metal scene.
Recommended for fans of ELVENKING, KORPIKLAANI, ENSIFERUM and FINNTROLL. [Digipack]
3rd album from 2026 by the French BORN AGAIN, an explosive attack of classic Heavy Metal and Speed Metal packed with sharp riffs, speed, melody and a powerful futuristic and apocalyptic atmosphere. An intense and energetic release that revives the most fierce spirit of 80s European Metal with a modern and crushing production. Recommended for fans of ACCEPT, HELSTAR, AGENT STEEL and RUNNING WILD.
4th album from 2022 by the Swedish BOWELFUCK, a savage blast of Grindcore with touches of Crust Punk and extreme Hardcore, characterized by devastating speed, controlled chaos and a dirty, abrasive production. “Appetite Comes With Killing” unleashes a barrage of ultra-short, explosive tracks packed with sonic violence, where blast beats, dissonant riffs and constant intensity dominate completely.
The album maintains the band’s extreme and nihilistic approach, with a sound that draws from European grind and the rawest corners of the underground, delivering a pure sonic assault with no rest or concessions.
Recommended for fans of NASUM, WORMROT, ROT and PIG DESTROYER.
4th album from 2012 by the Swedish BULLET, an explosive blast of old-school Heavy Metal and Hard Rock packed with incendiary riffs, gigantic choruses and an attitude fully inherited from the great Metal anthems of the 80s. “Full Pull” overflows with energy, speed and pure Heavy Metal spirit, combining razor-sharp guitars, catchy melodies and a powerful production with a sound clearly influenced by the NWOBHM and classic European Heavy Metal. A direct, festive and incredibly addictive record that smells of leather, gasoline and smoking amplifiers. Recommended for fans of ACCEPT, JUDAS PRIEST, GRAVE DIGGER and ENFORCER.
14th album from 2017 by the American CANNIBAL CORPSE, a brutal and crushing work of Death Metal packed with killer riffs, devastating grooves and absolutely unstoppable sonic violence. “Red Before Black” finds the band sounding sharper and more compact than ever, combining the classic brutality of their most legendary era with a modern and devastating production that enhances every blast beat and monstrous riff. Dark, fierce and technically flawless, the album once again confirms CANNIBAL CORPSE as a true institution of worldwide Death Metal after more than three decades of sonic massacre. Recommended for fans of SUFFOCATION, DYING FETUS, MALEVOLENT CREATION and DEICIDE.
CD reissue of the legendary official live EP recorded in 1989 by the legendary Swedish CARNAGE, a true time capsule from the birth of the rawest and filthiest Swedish Death Metal. A savage and primitive assault capturing all the ferocity and darkness of one of the essential bands of the Scandinavian scene. Recommended for fans of ENTOMBED, DISMEMBER, NIHILIST and GRAVE.
4th album from 1996 by the Swedish CEMETARY, a dark and melancholic work of Gothic Metal and Doom Metal where the band almost completely abandons its Death/ Doom roots in favour of a more atmospheric, emotional and gloomy sound. “Sundown” surrounds the listener with a haze of melodic guitars, despair-filled vocals and a cold, decadent atmosphere that turned the album into a cult reference within 90s European Gothic Metal. Elegant, introspective and deeply depressive, it stands as one of Mathias Lodmalm’s most personal and evocative works. Recommended for fans of TIAMAT, PARADISE LOST, KATATONIA and MOONSPELL.
1st album from 1994 by the Mexican THE CHASM, the visionary work led by Daniel Corchado (ex-CENOTAPH / INCANTATION) where the band develops a dark, technical and progressive form of Death Metal with an enigmatic atmosphere and a truly unique identity. A deeply dense and evocative release filled with twisted riffs, unpredictable structures and an almost mystical aura that turned it into a cult masterpiece within the most sophisticated and abstract side of Death Metal. Recommended for fans of NOCTURNUS, MORBID ANGEL, TIMEGHOUL and DEATH.
4th album from 1991 by the American CIRITH UNGOL, an epic and dark work of Heavy Metal and Doom Metal packed with heavy riffs, fantasy-driven atmospheres and the unmistakable voice of Tim Baker. “Paradise Lost” finds the band embracing a more elaborate and gloomier approach, combining the classic epicness of their earlier releases with a heavier, more melancholic and refined sound. A dense, dramatic and deeply underrated record that fully preserves all the magic of the most authentic and legendary American Heavy/Doom Metal. Recommended for fans of MANILLA ROAD, CANDLEMASS, BROCAS HELM and PAGAN ALTAR.
3rd album from 1989 by the British CLOVEN HOOF, a monumental work of Heavy Metal and epic Power Metal combining galloping riffs, huge melodies and a cinematic, adventurous atmosphere deeply rooted in the classic British tradition. Considered by many as the band’s creative peak, A Sultan’s Ransom overflows with epicness, darkness and superb songwriting, featuring immortal anthems such as “Highlander”, “Astral Rider” and “Mistress of the Forest”. A true cult classic of the most epic and powerful side of the NWOBHM. Recommended for fans of IRON MAIDEN, OMEN, MANILLA ROAD and CIRITH UNGOL. [Slipcase]
