1st album from '24 by this US band that emerged from the ashes of MANILLA ROAD. After the demise of Mark Shelton, the three remaining members (vocals, bass and drums) formed SENTRY where they play epic Heavy Metal that in many ways follows a similar vibe. [Slipcase]
2nd album from '13 by this US band that blends elements from modern and old school Brutal Death, influences in the vein of DEEDS OF FLESH, DEICIDE, DYING FETUS, MALEVOLENT CREATION, PYREXIA...
8th album from 1998 by the American SLAYER, one of the most influential bands in the history of Thrash Metal. “Diabolus in Musica” stands as one of the most controversial and experimental releases of the band's career, incorporating Groove Metal influences and more modern sounds without completely abandoning the aggression and darkness that defined its identity.
With a crushing production and a heavier, more atmospheric approach, the album finds SLAYER exploring new musical territories while retaining its trademark intensity. Although it divided opinions among longtime fans upon release, it has gained increasing recognition over the years as a bold and distinctive entry in the band's extensive catalogue.
Recommended for fans of MACHINE HEAD, PANTERA, SEPULTURA and EXHORDER.
2nd album from '02 by this polish band that seems to be the inheritors of DEAD INFECTION. 15 songs of pure Gore/ Grind without weird influences and a very good production.
Edition with 4 bonus tracks of the 2nd album from '93 by this Swedish Hard Rock band led by Jef Scott Soto, former vocalist of bands such as YNGWIE J. MALMSTEEN and AXEL RUDI PELL among many others.
EP from '89 containing 3 exclusive tracks, a cover of ROSE TATTOO and a re-recording of the track "(Empty) Tankard" by this legendary German Thrash Metal band.
1st album from '87 by this legendary belgian band of technical Thrash Metal pretty much in the vein of MEKONG DELTA although also with touches a la DEATHROW & CORONER. [Slipcase]
Compilation released in 2009 by Madrid's TEITANBLOOD, gathering the demo “Genocide Chants to Apolokian Dawn” (2004) together with the tracks originally featured on their legendary split EPs with PROCLAMATION and NECROS CHRISTOS. “Black Putrescence of Evil” documents the band's earliest and most savage years, capturing the raw beginnings of one of the most extreme and revered acts in contemporary Death/Black Metal.
The material showcases the band at its most primitive, chaotic and blasphemous, delivering a devastating assault of Bestial Death/Black Metal filled with violence, darkness and apocalyptic atmospheres. A true ritual of sonic destruction where the most infernal influences of extreme Metal converge, already foreshadowing the unique identity the band would later establish through its studio albums.
Recommended for fans of BLASPHEMY, PROCLAMATION, ANGELCORPSE, ARCHGOAT and NECROS CHRISTOS.
Debut album from 1991 by the Swedish THERION and one of the standout releases of the first generation of Scandinavian Death Metal. “Of Darkness...” finds Christofer Johnsson's band at its most extreme and straightforward, delivering a dark and crushing Death Metal assault deeply rooted in the classic Swedish sound of the early 1990s.
With heavy riffs, sinister atmospheres and relentless aggression, the album has become a genuine classic of Swedish Death Metal. Although THERION would later achieve worldwide recognition through its symphonic and experimental evolution, “Of Darkness...” remains an outstanding document of the band's brutal origins and an essential piece of early European Death Metal.
Recommended for fans of ENTOMBED, NIHILIST, GRAVE and UNLEASHED.
Unofficial CD edition that includes 16 songs with all the cover versions of other bands such as BLACK SABBATH, DEEP PURPLE, STATUS QUO, PINK FLOYD, THE DOORS, THE BEATLES, SANTANA, NEIL YOUNG...
1st album from '23 by this Polish band formed in '85, who play a technical and progressive Thrash Metal. CD-2 contains previously unreleased demos recorded in '92. For lovers of VOIVOD, CORONER, LIVING DEATH, MEKONG DELTA...
19th album from '25 by this Norwegian band that started from a raw Black Metal, passing through an electronic Progressive Ambient/ Avantgarde, until ending up making a kind of New Wave/ Synthpop.
