4th album from 1996 by the Swedish CEMETARY, a dark and melancholic work of Gothic Metal and Doom Metal where the band almost completely abandons its Death/ Doom roots in favour of a more atmospheric, emotional and gloomy sound. “Sundown” surrounds the listener with a haze of melodic guitars, despair-filled vocals and a cold, decadent atmosphere that turned the album into a cult reference within 90s European Gothic Metal. Elegant, introspective and deeply depressive, it stands as one of Mathias Lodmalm’s most personal and evocative works. Recommended for fans of TIAMAT, PARADISE LOST, KATATONIA and MOONSPELL.
1st album from 1994 by the Mexican THE CHASM, the visionary work led by Daniel Corchado (ex-CENOTAPH / INCANTATION) where the band develops a dark, technical and progressive form of Death Metal with an enigmatic atmosphere and a truly unique identity. A deeply dense and evocative release filled with twisted riffs, unpredictable structures and an almost mystical aura that turned it into a cult masterpiece within the most sophisticated and abstract side of Death Metal. Recommended for fans of NOCTURNUS, MORBID ANGEL, TIMEGHOUL and DEATH.
4th album from 1991 by the American CIRITH UNGOL, an epic and dark work of Heavy Metal and Doom Metal packed with heavy riffs, fantasy-driven atmospheres and the unmistakable voice of Tim Baker. “Paradise Lost” finds the band embracing a more elaborate and gloomier approach, combining the classic epicness of their earlier releases with a heavier, more melancholic and refined sound. A dense, dramatic and deeply underrated record that fully preserves all the magic of the most authentic and legendary American Heavy/Doom Metal. Recommended for fans of MANILLA ROAD, CANDLEMASS, BROCAS HELM and PAGAN ALTAR.
Official reissue on 180gr. red vinyl with white splatter including a 12-page LP-sized booklet featuring liner notes and previously unpublished photos, plus a giant poster, of the 4th album from 1991 by the American CIRITH UNGOL, an epic and dark work of Heavy Metal and Doom Metal packed with heavy riffs, fantasy-driven atmospheres and the unmistakable voice of Tim Baker. “Paradise Lost” finds the band embracing a more elaborate and gloomier approach, combining the classic epicness of their earlier releases with a heavier, more melancholic and refined sound. A dense, dramatic and deeply underrated record that fully preserves all the magic of the most authentic and legendary American Heavy/Doom Metal. Recommended for fans of MANILLA ROAD, CANDLEMASS, BROCAS HELM and PAGAN ALTAR.
3rd album from 1989 by the British CLOVEN HOOF, a monumental work of Heavy Metal and epic Power Metal combining galloping riffs, huge melodies and a cinematic, adventurous atmosphere deeply rooted in the classic British tradition. Considered by many as the band’s creative peak, A Sultan’s Ransom overflows with epicness, darkness and superb songwriting, featuring immortal anthems such as “Highlander”, “Astral Rider” and “Mistress of the Forest”. A true cult classic of the most epic and powerful side of the NWOBHM. Recommended for fans of IRON MAIDEN, OMEN, MANILLA ROAD and CIRITH UNGOL. [Slipcase]
2nd album from 2018 by the American CONSTRUCT OF LETHE, a complex and dark work of technical Blackened Death Metal that combines extreme brutality with progressive structures and a strong atmospheric layer. “Exiler” develops a dense, shifting and oppressive sound, where chaotic riffs, technical passages and moments of deep sonic introspection coexist.
The album stands out for its dynamic and narrative approach, alternating bursts of aggression with more ambient and abstract sections, creating an intense, unsettling and highly detailed experience within the most experimental side of modern Death Metal.
Recommended for fans of ULCERATE, GORGUTS, MORBID ANGEL and KRALLICE.
6th album from 2024 by the Italian CORPSEFUCKING ART, an explosive and sickening blast of Brutal Death Metal with strong Slam and Grind influences, packed with dense riffs, grotesque grooves and a dirty yet powerful production. “Tomatized” unfolds a delirious universe of horror, macabre humor and sci-fi gore, featuring the absurd and extremely exaggerated aesthetic that has become the band’s trademark.
The album alternates crushing brutality with moments of grind chaos and heavier, dragging sections, creating a viscous, violent and deliberately cartoonish sound within the most depraved side of Death Metal.
Recommended for fans of DEVOURMENT, MORTICIAN, CANNIBAL CORPSE and SUFFOCATION.
2nd album from 2020 by the Canadian CRACKWHORE, an aggressive blend of Death Metal with elements of Grindcore, Thrash, Black Metal and touches of technicality, built on tight riffs, sharp grooves and a polished yet powerful production. “Let This Be a Lesson…” delivers a versatile extreme Metal sound, alternating fast chaotic sections with denser and more structured passages.
The album stands out for its dynamic approach and stylistic variety, with compositions that avoid repetition and explore different shades of extreme Metal without losing cohesion, always maintaining an aggressive and direct energy.
Recommended for fans of CRYPTOPSY, DEEDS OF FLESH, CANNIBAL CORPSE and FLESHGRIND.
9th album from 2021 by the Chilean CRIMINAL, a crushing blast of modern Death Metal and Thrash Metal where the band fully re-records their legendary 1994 debut with a far heavier, more aggressive and more devastating sound. “Sacrificio” brings back all the rage and violence of CRIMINAL’s early years, combining crushing riffs, brutal grooves and a dark, streetwise intensity with an absolutely massive contemporary production. A fierce tribute to their roots that proves these songs still sound just as dangerous and destructive decades later. Recommended for fans of SEPULTURA, MACHINE HEAD, SLAYER and MALEVOLENT CREATION.
2nd album from 2009 by the Spanish DARKNESS BY OATH, an intense and melodic blast of Melodic Death Metal heavily influenced by the Swedish Göteborg scene. “Fear Yourself” combines razor-sharp riffs, fast twin guitar harmonies, dark atmospheres and strong emotional depth, balancing aggression and melody with remarkable skill. A powerful and dynamic release that shows the band at full compositional maturity, moving between melancholic epicness and the most furious side of European Melodic Death Metal. Recommended for fans of AT THE GATES, DARK TRANQUILLITY, INSOMNIUM and IN FLAMES.
3rd album from 2011 by the Swedish DEMONICAL, a crushing work of Swedish Old School Death Metal packed with rotten riffs, dark melodies and an absolutely devastating warlike and apocalyptic atmosphere. “Death Infernal” combines the rawness and groove of the classic Scandinavian school with a powerful modern production while fully preserving the spirit of the legendary Sunlight Studios sound. A fierce, direct and incredibly solid release that confirms DEMONICAL as one of the great heirs of the most authentic Swedish Death Metal tradition. Recommended for fans of DISMEMBER, GRAVE, ENTOMBED and CENTINEX.
Vinyl version in marbled gray wax of the 3rd album from 2011 by the Swedish DEMONICAL, a crushing work of Swedish Old School Death Metal packed with rotten riffs, dark melodies and an absolutely devastating warlike and apocalyptic atmosphere. “Death Infernal” combines the rawness and groove of the classic Scandinavian school with a powerful modern production while fully preserving the spirit of the legendary Sunlight Studios sound. A fierce, direct and incredibly solid release that confirms DEMONICAL as one of the great heirs of the most authentic Swedish Death Metal tradition. Recommended for fans of DISMEMBER, GRAVE, ENTOMBED and CENTINEX.
10th album from 2025 by the German DESASTER, a savage and diabolical blast of Blackened Thrash Metal and Speed Metal packed with incendiary riffs, devastating speed and a dark, blasphemous atmosphere that is unmistakably the band’s trademark. “Kill All Idols” finds the band fully preserving its underground and warlike spirit, combining the rawness of Teutonic Thrash with the primitive aggression of old-school Black Metal in a whirlwind of violence, fire and infernal darkness. A fierce, direct and completely unleashed record that further confirms DESASTER as one of the most authentic and consistent bands in European extreme Metal. Recommended for fans of SODOM, DESTROYER 666, AURA NOIR and NIFELHEIM.
Edición en vinilo negro con insert de 4 páginas del 10ş álbum de 2025 de los alemanes DESASTER, una salvaje y diabólica descarga de Blackened Thrash Metal y Speed Metal cargada de riffs incendiarios, velocidad devastadora y una atmósfera oscura y blasfema absolutamente marca de la casa. “Kill All Idols” muestra a la banda manteniendo intacto todo su espíritu underground y guerrero, combinando la crudeza del Thrash teutón con la agresividad primitiva del Black Metal más old school en un torbellino de violencia, fuego y oscuridad infernal. Un disco feroz, directo y completamente desatado que reafirma a DESASTER como una de las bandas más auténticas y consistentes del Metal extremo europeo. Recomendado para fans de SODOM, DESTROYER 666, AURA NOIR y NIFELHEIM.
2nd album from 2008 by the American DIVINE PUSTULENCE, an extreme blast of Brutal Death Metal and Grindcore packed with chaotic riffs, out-of-control blast beats and a dirty, absolutely abrasive production. “Tortured, Raped and Sacrificed to Satan” delivers a series of violent, short and sickening tracks where extreme speed and raw brutality completely dominate the sonic approach.
The album moves between extreme gore and primitive grind chaos, with simple but highly aggressive structures, building a constant experience of sonic saturation that feels chaotic and deliberately disturbing.
Recommended for fans of ALIENATION MENTAL, SCREAMING AFTERBIRTH, DEVOURMENT, BRODEQUIN and FOETOPSY.
Official 2024 archival release by the Spanish DOLMEN, a compilation of demos and live recordings made between 1988 and 1990 documenting the band’s early phase within the Galician underground Heavy and Speed Metal scene. “Demos 1988-1990” gathers raw and direct material with a classic sound for the era, featuring fast riffs, simple structures and a rough yet authentic production.
The material clearly reflects the influence of 80s European Heavy/ Speed Metal, with an energetic, straightforward and no-frills approach that captures the essence of a band that was part of Spain’s late-80s underground scene.
Recommended for fans of MURO, BARÓN ROJO, JUDAS PRIEST and IRON MAIDEN.
Vinyl re-issue on black wax with poster of the debut album from 1987 by the American DREAM DEATH, an absolutely visionary cult masterpiece that merges Doom Metal, Thrash Metal and primitive Death Metal into a dark, psychedelic and sickening atmosphere. Journey Into Mystery was years ahead of its time with its combination of crushingly heavy riffs, devastating slow tempos, tortured vocals and a strange hallucinatory feeling that makes the album as oppressive as it is hypnotic. A fundamental release for understanding the evolution of the most twisted and experimental side of Doom/Death Metal. Recommended for fans of AUTOPSY, WINTER, CELTIC FROST and ASPHYX.
Debut album from 1987 by the American DREAM DEATH, an absolutely visionary cult masterpiece that merges Doom Metal, Thrash Metal and primitive Death Metal into a dark, psychedelic and sickening atmosphere. Journey Into Mystery was years ahead of its time with its combination of crushingly heavy riffs, devastating slow tempos, tortured vocals and a strange hallucinatory feeling that makes the album as oppressive as it is hypnotic. A fundamental release for understanding the evolution of the most twisted and experimental side of Doom/Death Metal. Recommended for fans of AUTOPSY, WINTER, CELTIC FROST and ASPHYX. [Slipcase]
7th album from 2005 by the Swedish DRILLER KILLER, a raw and abrasive blast of Crust Punk, Hardcore Punk and D-Beat strongly influenced by DISCHARGE and the Scandinavian hardcore scene. “The 4Q Mangrenade” combines extreme speed, simple yet crushing riffs and a completely anti-establishment attitude, fully preserving the band’s dirty, direct and political identity.
A short, violent and uncompromising record where the controlled chaos of crust merges with the rawness of extreme punk and the spirit of the most primitive hardcore, further cementing DRILLER KILLER as one of the key names in the Swedish underground.
Recommended for fans of DISCHARGE, DISFEAR, ANTI CIMEX and EXTREME NOISE TERROR.
7th album from 1997 by the Swedish EDGE OF SANITY, a dark and absorbing work of Progressive Death Metal and Melodic Death Metal where the band explores a more atmospheric, technical and experimental sound without losing its trademark heaviness. “Cryptic” combines melancholic riffs, complex song structures and an unsettling sense of introspective darkness, showcasing Dan Swanö and company during one of their most creative and ambitious periods. A dense and sophisticated release that moves between the aggression of Swedish Death Metal and progressive passages filled with emotion and depth. Recommended for fans of OPETH, AMORPHIS, DISSECTION and DARK TRANQUILLITY.
